Harold Wilson, Bass
Marcovaldo, The Battle of Legnano
American bass Harold Wilson's 2012-2013 calendar featured his debuts with Portland Opera as the Commendatore in Don Giovanni and Opera Company of Philadelphia as The French General in Kevin Puts' Pulitzer Prize winning opera Silent Night; and returns to the Metropolitan Opera to cover Panthée in Les Troyens, Opera Birmingham for Sarastro in Die Zauberflöte, and Tulsa Opera for Ramfis in Aida. During the summer of 2013, he sings Emile de Becque in South Pacific with New Hampshire's Opera North. Future seasons include debuts with Hawaii Opera and Dayton Opera.
Mr. Wilson began the 2011-2012 season as Prince Gremin (Eugene Onegin) with Madison Opera, returned to the Metropolitan Opera to cover Angelotti in Tosca, and sang Beethoven’s 9th Symphony with the Greensboro Symphony, as well as Verdi's Requiem at Carnegie Hall.
Mr. Wilson spent much of the 2010-11 season with The Metropolitan Opera, participating in productions of Tosca, Armida, Roméo et Juliette, Boris Godunov, and Don Carlos. Additionally, he sang with Tulsa Opera (Oroveso in Norma), Palm Beach Opera (High Priest of Baal in Nabucco), Chautauqua Opera (Sarastro in Die Zauberflöte) and made his debut with the Opera Orchestra of New York (High Priest of Brahma in L’Africaine). The 2009-2010 season saw his debuts with Tulsa Opera (Raimondo in Lucia di Lammermoor), Madison Opera (Zuniga in Carmen), and Birmingham Opera (Ramfis in Aida), as well as returns to Lyric Opera of Kansas City (Monterone in Rigoletto) and Santa Fe Opera (Luther and Crespel in Les contes d’Hoffmann and the Bonze in Madama Butterfly).
As a member of the Deutsche Oper Berlin for five seasons, Mr. Wilson sang over 30 roles with the company, including Arkel in Pelléas et Mélisande, Raimondo in Lucia di Lammermoor, Sarastro in Die Zauberflöte, Zuniga in Carmen, and the Hermit in Der Freischutz. He also participated in La traviata, Il trittico, Tannhäuser, La fanciulla del West, Die Frau ohne Schatten, Un ballo in maschera, Tosca, Boris Godounov, Lohengrin, Idomeneo, Salome, Andrea Chenier, and Germania.
Mr. Wilson joined the Opernhaus Halle in the 2007-2008 season for performances of Pogner in Die Meistersinger, Oroveso in Norma, Sarastro in Die Zauberflöte, Gremin in Eugene Onegin and The King of Scotland in Ariodante. He was heard on a new recording of Kurt Weill’s Eternal Road, and also sang Handel’s Messiah with the Seattle Symphony and Beethoven’s 9th Symphony with the Brandenburgische Philharmonie Frankfurt. Other European credits include his debut at the Teatro Liceo in Barcelona singing in Britten’s A Midsummer Night's Dream (available on DVD from Decca), Tannhäuser at the Staatsoper Berlin, Salome at the Théâtre du Capitole de Toulouse, and Aufstieg und Fall des Stadt Mahagonny in Basel (Switzerland).
Equally comfortable on the concert stage, Mr. Wilson recently sang the bass solos in Verdi's Requiem at Carnegie Hall with the St. Cecilia Chorus and Orchestra. Among the orchestras he has performed with in concert are the Tulsa Symphony, Indianapolis Symphony, Yakima Symphony, Deutsche Oper Orchester, Hallesche Philharmonie, Brandenburgische Philharmonie Frankfurt, Seattle Symphony and Staatskappelle Orchester Berlin.
Previous US engagements have included contracts with Santa Fe Opera (Don Giovanni, La Traviata), Opera Carolina (Nabucco and Lucia di Lammermoor), Lyric Opera of Kansas City (Lucia di Lammermoor), Florentine Opera (A Midsummer Night's Dream), Palm Beach Opera (Tannhäuser), Minnesota Opera (Die Entführung aus dem Serail), Opera Theatre of St. Louis (The Grand Duchess of Gerolstein and Miss Havisham's Fire), and Glimmerglass Opera (Salome).
Mr. Wilson earned his Masters Degree from Indiana University, where he studied with renowned bass Giorgio Tozzi.