Martha Collins
Director of Education & Stage Director
[email protected]

Stage Director Martha Collins has been praised by reviewers for her 'world-class, magical staging', 'mastery of zany, comic fun' and 'her direction of insightful character portrayals' and ‘quality’ productions.

Miss Collins recently directed Attila at Sarasota Opera, where her previous productions include of Dialogues of the Carmelites, Tosca, Carmen, Madama Butterfly, Romeo and Juliette, La Traviata, Nabucco and L’Elisir d’Amore. As part of the company’s complete Verdi Cycle, Miss Collins directed productions of I Lombardi, I due Foscari, Attila, Giovanna D’Arco, I Masnadieri, Jerusalem, Un Giorno di Regno, and La Battaglia di Legnano. She has also served as stage director for Sarasota Opera’s Apprentice Program since 2004. 

For Sarasota Youth Opera, Miss Collins directed the world premiere of Little Nemo in Slumberland (2012) and Rootabaga Country (2017), the U.S. premieres of Burry’s The Hobbit (2008, 2014) and The Secret World of OG  (2016), The Black Spider (2010), The Second Hurricane (2006) The Little Sweep (2005, 2013, 2018) for which she also wrote the new Prologue of Let’s Put on an Opera, and Brundibár (2015, 2019) for which she also wrote an original prologue in collaboration with Jesse Martins (Sarasota youth Opera music director). 

At New York University, she directed The Magic Flute, Orpheus in the Underworld, L’Enfant et les Sortilèges, and productions of her new libretto translations of The Audition and The Finishing School by von Suppé.  Other productions include Side by Side by Sondheim and A Talent to Amuse – an Evening of Noel Coward at New England Conservatory, Il Tabarro and Amahl and the Night Visitors with Opera North, Floyd's Susannah and L’Elisir d’Amore for Opera Mozart in New Jersey, Dido and Aeneas at Brevard, and Lucia di Lammermoor and Tosca with New Jersey Verismo Opera.

Martha has taught acting at New York University, Swarthmore College, Ryder University, Manitoba University, the Florence Voice Seminar in Italy, and she maintains a private studio for vocal and dramatic coaching in New York City.

As a singer, she performed extensively throughout her native Canada both as a concert and operatic performer, and has been heard on CBC's Arts National Radio in numerous recitals and orchestral concerts.  Her televised appearances include Micaela in Carmen with Vancouver Opera and the opening gala of the world Expo in Vancouver, both of which were aired internationally.

Jesse Martins
Music Director
[email protected]

Maestro Jesse Martins holds a Master of Arts in Collaborative Piano from Mansfield University of Pennsylvania, and a Bachelor of Music in Piano Performance from the Universidade Federal do Rio Grande do Sul (Brazil).

Since joining Sarasota Opera in 2011 Maestro Martins has served as Youth Opera Chorus Master for mainstage productions such as Carmen (2012, 2018), Otello, Turandot, Pagliacci and Tosca, in addition to being the understudy conductor for Il Barbiere di Siviglia (2014), Le nozze di Figaro (2015), L'italiana in Algeri (2017), and Tiefland (2018). He also served as Chorus Master/Associate Conductor for Sarasota Youth Opera’s world premiere of Daron Hagen’s Little Nemo in Slumberland (2012), and conductor for Britten’s The Little Sweep (2013, 2018), Dean Burry’s The Hobbit (2014), Hans Krása’s Brundibár (2015), Burry’s The Secret World of Og (2016, U.S. Premiere), and Rachel J. Peters’ Rootabaga Country (2017, World Premiere).

During the 2018-2019 season Maestro Martins conducted Britten’s The Little Sweep and made his professional debut with the company on Mozart’s Die Zauberflöte.

Prior to his graduate studies, he was the Assistant Music Director and Program Manager for Opera Factory Theater (Auckland, New Zealand), a training center for young singers. While in New Zealand, Mr. Martins worked with soprano Dame Kiri Te Kanawa, British Maestro Sir Andrew Davis, coach Rosemary Barnes, and acted as chorus pianist for NBR New Zealand Opera’s production of Janáček’s Jenůfa. While a Graduate Assistant at Mansfield University, Mr. Martins was a coach for Mozart’s The Marriage of Figaro, accompanied the Concert Choir in the Eisteddfod competition in Wales (UK), and performed at the Finger Lakes Chamber Music Festival (NY).