Youth Opera Program Since 1984, Sarasota Youth Opera has given thousands of young people age 8 to 18 an opportunity to experience opera firsthand through participation in after-school choruses, Sarasota Opera main stage productions, summer camps, and fully staged Youth Opera productions. As the only program in the United States committed to presenting annual full-scale opera productions for young voices, accepting all who wish to participate regardless of skill level or ability to pay, Sarasota Youth Opera is a national model for opera education. Youth Opera Choruses Beginning in third grade, singers are placed in an appropriate chorus. Each ensemble provides a setting for everyone to participate and progress at their own level as they gain greater skills and experience. Selections performed are made up of classical music, which includes opera and choral pieces in different languages. Choruses perform throughout the community in formal concerts and outreach events during the winter/spring semester and in a full-scale Youth Opera production during the fall semester. Ensembles include: Mixed Chorus (Grades 6 - 12) Tuesdays and Thursdays from 5:30-6:50 PM * Tuition - $200 per semester ** Preparatory Chorus (Grades 3 - 5) Saturdays from 10:00-11:00 AM * Tuition - $175 per semester ** * All ensembles are part of our annual, full-scale, Youth Opera production at the Sarasota Opera House which involves additional rehearsals in October and November outside of the regular rehearsal schedule. ** Tuition assistance is available in addition to a sibling discount of $25 per enrolled singer. Youth Opera Productions Part of Sarasota Opera’s commitment to young people includes commissioning new operas written for children and young adults. Six new works have been presented as part of this mission: Deadline (1989), Polly Pen’s Her Lightness (1993), Tom Suta’s Eye of Ra (1998), John Kennedy’s The Language of Birds (2004), Daron Hagen’s Little Nemo in Slumberland (2012), and Rachel J. Peters’ Rootabaga Country (2017) based on the writings of Carl Sandburg. Members take part in the making of each opera complete with professional staging, costumes, lighting, sound, and orchestral accompaniment. Past productions and commissions include: 1986 Space Opera/Rooster Rag/Jack and the Beanstalk 1986 Chanticleer 1987 The Frog Prince 1988 Cinderella 1989 Deadline (Commission/World Premiere) 1990 Cornelius Coyote (World Premiere) 1991 Karlsson on the Roof (American Premiere) 1992 Yanomano 1993 Her Lightness (Commission/World Premiere) 1994 Ocean World 1995 African Jigsaw 1996 Pinocchio 1997 Arabica 1998 Brundibár 1998 Eye of Ra (Commission/World Premiere) 1999 The Black Spider 2001 The Second Hurricane 2002 Down in the Valley 2002 The Happy Prince 2003 The Piper of Hamelin 2004 The Language of Birds (Commission/World Premiere) 2005 The Little Sweep 2006 The Second Hurricane 2008 The Hobbit (U.S. Premiere) 2010 The Black Spider 2012 Little Nemo in Slumberland (Commission/World Premiere) 2013 The Little Sweep 2014 The Hobbit 2015 Brundibár (with newly-commissioned Prologue) 2016 The Secret World of Og (U.S. Premiere) 2017 Rootabaga Country (Commission/World Premiere) 2018 The Little Sweep 2019 Brundibár Opera Mainstage Season In addition to their own productions, Youth Opera members have the opportunity to participate in Sarasota Opera’s professional productions as members of the children’s chorus, non-singing extras (also called supernumeraries), and in special solo roles written young voices. In recent seasons these have included roles in The Magic Flute, La bohème, Tosca, Carmen, and Turandot. Come Perform With Us Let us show you how fun opera is on and off the stage (horned helmet and spear not required) at an enrollment open house. Who Young people grade 3 through 12 and their parents(s) / guardians(s). When Sarasota Youth Opera holds open enrollment sessions in August and January. This is not an audition—all interested singers are accepted, regardless of skill level. Fall Enrollment Dates Please check back for updates and the 2020 Fall semester. Winter/Spring Enrollment Dates Enrollment for Winter/Spring semester is now closed. No prior experience necessary | Families need only attend one session. Questions? Please contact us at [email protected] or 941-328-1307 Interested in supporting the Youth Opera programs? Learn more Youth Opera Faculty & Staff Jesse Martins Jesse MartinsMusic Director[email protected] Maestro Jesse Martins holds a Master of Arts in Collaborative Piano from Mansfield University of Pennsylvania, and a Bachelor of Music in Piano Performance from the Universidade Federal do Rio Grande do Sul (Brazil). Since joining Sarasota Opera in 2011 Maestro Martins has served as Youth Opera Chorus Master for mainstage productions such as Carmen (2012, 2018), Otello, Turandot, Pagliacci and Tosca, in addition to being the understudy conductor for Il Barbiere di Siviglia (2014), Le nozze di Figaro (2015), L'italiana in Algeri (2017), and Tiefland (2018). He also served as Chorus Master/Associate Conductor for Sarasota Youth Opera’s world premiere of Daron Hagen’s Little Nemo in Slumberland (2012), and conductor for Britten’s The Little Sweep (2013, 2018), Dean Burry’s The Hobbit (2014), Hans Krása’s Brundibár (2015), Burry’s The Secret World of Og (2016, U.S. Premiere), and Rachel J. Peters’ Rootabaga Country (2017, World Premiere). During the 2018-2019 season Maestro Martins conducted Britten’s The Little Sweep and made his professional debut with the company on Mozart’s Die Zauberflöte. Prior to his graduate studies, he was the Assistant Music Director and Program Manager for Opera Factory Theater (Auckland, New Zealand), a training center for young singers. While in New Zealand, Mr. Martins worked with soprano Dame Kiri Te Kanawa, British Maestro Sir Andrew Davis, coach Rosemary Barnes, and acted as chorus pianist for NBR New Zealand Opera’s production of Janáček’s Jenůfa. While a Graduate Assistant at Mansfield University, Mr. Martins was a coach for Mozart’s The Marriage of Figaro, accompanied the Concert Choir in the Eisteddfod competition in Wales (UK), and performed at the Finger Lakes Chamber Music Festival (NY). Martha Collins Martha CollinsStage Director Stage Director Martha Collins has been praised by reviewers for her 'world-class, magical staging', 'mastery of zany, comic fun' and 'her direction of insightful character portrayals' and ‘quality’ productions. Miss Collins recently directed Nabucco at Sarasota Opera, where she previously has directed productions of Dialogues of the Carmelites, Tosca, Carmen, Madama Butterfly, La Traviata, and L’Elisir d’Amore. As part of the company’s complete Verdi Cycle, Miss Collins directed productions of I Lombardi, I due Foscari, Attila, Giovanna D’Arco, I Masnadieri, Jerusalem, Un Giorno di Regno, and La Battaglia di Legnano. She has also served as stage director for Sarasota Opera’s Apprentice Program since 2004. For Sarasota Youth Opera, Miss Collins directed the world premiere of Little Nemo in Slumberland (2012) and Rootabaga Country (2017), the U.S. premieres of Burry’s The Hobbit (2008, 2014) and The Secret World of Og (2016), The Black Spider (2010), The Second Hurricane (2006) The Little Sweep (2005, 2013, 2018) for which she also wrote the new Prologue of Let’s Put on an Opera, and Brundibár (2015) for which she also wrote an original prologue in collaboration with Jesse Martins (Sarasota youth Opera music director). At New York University, she directed The Magic Flute, Orpheus in the Underworld, L’Enfant et les Sortilèges, and productions of her new libretto translations of The Audition and The Finishing School by von Suppé. Other productions include Side by Side by Sondheim and A Talent to Amuse – an Evening of Noel Coward at New England Conservatory, Il Tabarro and Amahl and the Night Visitors with Opera North, Floyd's Susannah and L’Elisir d’Amore for Opera Mozart in New Jersey, Dido and Aeneas at Brevard, and Lucia di Lammermoor and Tosca with New Jersey Verismo Opera. Martha has taught acting at New York University, Swarthmore College, Ryder University, Manitoba University, the Florence Voice Seminar in Italy, and she maintains a private studio for vocal and dramatic coaching in New York City. As a singer, she performed extensively throughout her native Canada both as a concert and operatic performer, and has been heard on CBC's Arts National Radio in numerous recitals and orchestral concerts. Her televised appearances include Micaela in Carmen with Vancouver Opera and the opening gala of the world Expo in Vancouver, both of which were aired internationally. George Hemcher George HemcherMusic and Administrative Assistant[email protected] Maestro George Hemcher, a native of Frazer, PA, has been with Sarasota Opera since June 2017. At Delaware Valley Opera, he worked on Verdi’s Otello, Mozart’s Die Entführung Aus Am Serail, and was the Music Director for Cole Porter’s Kiss Me Kate and Mozart's Der Shauspieldirektor. Mr. Hemcher has also collaborated with Pocket Opera of New York, Regina Opera in Brooklyn, Light Opera of New York, eVoco Voice Collective Mixed and Women's Ensemble, Voci da Camera, Oyster Bay Music Festival, and Floating Opera New York. As a tenor, George has sung Dr. Blind in Die Fledermaus, Don Ottavio in Don Giovanni, Spärlich in Nicolai’s Die Lustigen Weiber von Windsor, Fiorello, the Officer, Ambrosius in Il Barbiere di Siviglia, and El Remendado in Carmen. George has played piano for Distinguished Concerts International New York on the world premiere of Cristian Grases Nocturnos y Adivinanzas at Carnegie Hall as well as Steven Sametz' Carmina Amoris, Donald McCullough's In the Shadow of the Holocaust, Zane Zalis' I believe, Vaughan Williams' Dona Nobis Pacem, Tim Sharp/Wes Ramsey's A High, Lonesome Bluegrass Mass, the Verdi Requiem, and Tarik O'Regan's Tryptich and The Ecstasies Above. George was the Music Director at Venture Opera in Donizetti's Don Pasquale at the OPERA America Recital Hall and at the Kay Meek Center in Vancouver, Canada. Previously George was the Music Director of the Opera Scenes program at Hofstra University.