La traviata

Opera in three acts 

Music by Giuseppe Verdi and Libretto by Francesco Maria Piave

Elegance, sacrifice, and poignant romance in 19th‑century Paris.
One of the most enduring works in the repertoire, this is the moving story of Violetta Valéry, a celebrated courtesan whose unexpected love for Alfredo Germont conflicts with her world of parties and pleasure and forces her to make the ultimate sacrifice. Verdi’s music seamlessly weaves elegance and drama, underscoring the timeless tale of Violetta’s love and selfless devotion.

February | 06 - March | 20

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Sung In:

Italian


With Translations In:

English

ACT 1
INTERMISSION 1
ACT 2
INTERMISSION 2
ACT 3

Cast & Staff

Violetta Valery

Virginia Mims

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Performing

Feb 6, 9, 11, 14, 20, 26

Mar 3, 11, 13, 17, 20

Alfredo Germont

Luke Norvell

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Performing

Feb 6, 9, 11, 14, 20, 26

Mar 3, 11, 13, 17, 20

Giorgio Germont

Luke Sutliff

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Performing

Feb 6, 9, 11, 14, 20, 26

Mar 3, 11, 13, 17, 20

Gastone

Dylan Schang

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Performing

Feb 6, 9, 11, 14, 20, 26

Mar 3, 11, 13, 17, 20

Baron Douphol

Alexander Boyd

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Performing

Feb 6, 9, 11, 14, 20, 26

Mar 3, 11, 13, 17, 20

Marquis d'Obigny

Matthew Cossack

Performing

Feb 6, 9, 11, 14, 20, 26

Mar 3, 11, 13, 17, 20

Doctor Grenvil

Younggwang Park

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Performing

Feb 6, 9, 11, 14, 20, 26

Mar 3, 11, 13, 17, 20

Conductor

Marcello Cormio

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Stage Director

Marco Nisticò

Scenic Designer

Steven C. Kemp

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Costume Coordinator

Howard Tsvi Kaplan

Lighting Designer

Ken Yunker

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Facts about La traviata

Composer & Premiere: Giuseppe Verdi; premiered in Venice in 1853

Story: Follows Violetta, a Parisian courtesan, who falls in love with Alfredo but sacrifices her happiness for his family’s honor

Source Material: Based on Alexandre Dumas fils’ novel and play La Dame aux camélias

Emotional Core: A deeply personal tragedy centered on love, sacrifice, and societal judgment

Musical Highlights: Features some of Verdi’s most beloved arias, including “Sempre libera” and “Addio del passato”

Themes: Explores love versus duty, social hypocrisy, and redemption

Enduring Appeal: One of the most frequently performed operas, known for its emotional immediacy and powerful, lyrical score

What should I wear to the opera?

You are encouraged to dress in whatever way you feel most comfortable. Some people like to make it special by dressing up. Others prefer to be more casual. Opening nights of each opera tend to be a bit more dressy (you will see more tuxes and long dresses) and matinees a bit more casual.  

One suggestion: it does tend to be cool in the theater (especially in the orchestra section) and so a sweater or wrap might be helpful.

Where do I park?

There is limited on-street parking near the Sarasota Opera House. There are several parking garages in close proximity to the theater, including the Palm Avenue Garage (1289 N. Palm Ave.) which is directly behind the Sarasota Opera House.

Valet parking is also available for all evening and weekend matinee performances. Valet parking is complimentary for subscribers and donors. Otherwise the cost is $10.

For more information please visit https://www.sarasotaopera.org/parking.

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Where is the Sarasota Opera House?

The historic Sarasota Opera House is in downtown Sarasota at 61 N. Pineapple Street. 

For detailed directions, please visit https://www.sarasotaopera.org/directions.

Are there refreshments at the theater?

There are concessions at the Opera House which sell a variety of beverages, snacks, and sandwiches.  The lobby is open 1 hour and 15 minutes before a performance, and the courtyard is open 1 hour and 45 minutes before a performance. We encourage you to come early to enjoy refreshments. No food or drink are allowed inside the auditorium.